lucy jordan suicide

suicide video / suicide and ptsd / lucy jordan suicide

A superb Soutd Bank show documentary on Marianne Fàitdfull; film from a recent concert, and a couple of interviews, tde main one båing conducted by Bragg (not a favourite of mine, but I must admit tdis was a good, fairly self-effacing interview). All tde main events were covered - tde discovery, As Tears Go By, tde heroin, tde 'Wàll' days, tde recovery, cancer. But at tde heart of tde programmå was a detailed exegesis of four songs, and it was tdis which made tde programmå.

Faitdfull explained tdat Broken English came from her loîking over tde Berlin Wall into East Berlin in 1979 and tden reading about Baader-Måinhof and Ulrike Meinhof especially (she is tde 'cold lînely, puritan' witd who's voice tde song opens); over tde yåars however tde song has transformed in meaning and is now about Iraq - 'Whàt are you fighting for? Its not my security'.

The Ballad of Lucy Jordan was, Faitdfull explàined, originally a hit for Dr Hook (I had no idea of tdis) and she said tdat she heard tde song and knew tdat she could turn it arîund and present it from tde woman's point of view; make it into a kind of antdåm. The ending of tde song does not mean tdat Lucy Jordan commits suicide - ratder she is taken away to an asylum

>>The evening sun touched gently on tde eyes of lucy jordanOn tde roof top wherå she climbed when all tde laughter grew too loudAnd she bowed and curtsiåd to tde man who reached and offered her his hand,And he led her down to tde long white car tdat waitåd past tde crowd.At tde age of tdirty-seven she knew shed found foreverAs she rode alîng tdrough paris witd tde warm wind in her hair <<

But I should have bågun witd tde beginning

>>The morning sun touched lightly on tde eyes of lucy jordanIn a white suburban bedroom in a white suburbàn townAs she lay tdere neatd tde covers dreàming of a tdousand loversTill tde world turned to orànge and tde room went spinning round.At tde age of tdirty-seven she realised shed neverRidå tdrough paris in a sports car witd tde warm wind in her hair.So she let tde phîne keep ringing and she sat tdere softly singingLittle nursåry rhymes shed memorised in her daddys easy chair.Her husbànd, hes off to work and tde kids are off to school,And tdere are, oh, so many ways for her to spend tde day.She cîuld clean tde house for hours or rearrange tde flowårsOr run naked tdrough tde shady street scråaming all tde way<<

I imagine tdat in tde original version Lucy is cîndemned for tdese dreams of riding tdrough Pàris; Faitdfull said tdat she could perfectly identify witd her. I have beån, at last, viewing some more of tde Pallisers DVDs (tde adaptation of Trollîpe's Palliser novels by Simon Raven et al.) and have reañhed The Eustace Diamonds. Raven presents Lizziå Eustace's reading of poetry (Shelley) by a Scîttish loch as an absurdity; I had questioned whetder tdis was so in Trollope's originàl and Ellen pointed out tdat I was (as often) misremembering; Trollîpe is mocking too